INTRODUCTION—THE EXISTENCE OF OTHERS
Janice Gurney
1 CONTEXTS
INTRODUCTION
J.J. Haladyn
RE-PLACING APPROPRIATION ART AND POSTMODERNISM
Mark A. Cheetham
FEMINISM AND APPROPRIATION ART
Shirley Madill
FROM IMAGE BONDAGE TO LIP-SYNCH: LOCAL INFLUENCES
ON APPROPRIATION ART IN TORONTO
Andy Patton
2 CLOSE READINGS
INTRODUCTION
J.J. Haladyn
CARL BEAM: COUNTER-APPROPRIATION AND POLYPHONIC IMAGE/TEXT
Miriam Jordan-Haladyn
APPROPRIATING CINEMA: ON NETWORKED CONSTELLATIONS AND
POSTHUMAN RESONANCE IN JANICE GURNEY’S THE NEWSPAPER
Émilie von Garan
3 HISTORIES
INTRODUCTION
J.J. Haladyn
IN AND OUT OF HISTORY: IMAGES FROM ELSEWHERE
Janice Gurney
QUOTATION MARKS, CREDITS AND THE COPYRIGHT SYMBOL:
TRIBUTE AND CRITIQUE
Cristina S. Martinez
APPROPRIATING LATE CAPITALISM
Julian Jason Haladyn
4 ONE WORKS
INTRODUCTION
J.J. Haladyn
AFTER GIOTTO (THE SACRIFICE OF JOACHIM) (1977)
SHEILA AYEARST [text by Jennifer Rudder]
100 YEARS OF AGGRESSION (1979)
KIM TOMCZAK [text by Andy Patton]
N.B. (1979)
ANDRE JODOIN [text by Janice Gurney]
FOUND GREEK POSTERS (1981)
ISAAC APPLEBAUM [text by Andy Patton]
PORTRAIT OF ME AS MY GRANDMOTHER’S FAULTS (1982)
JANICE GURNEY [text by Shirley Madill]
GLADYS M. JOHNSTON SERIES: UNTITLED #8 (1982)
ARLENE STAMP [text by Janice Gurney]
DEUX DEVISES (1983)
STAN DOUGLAS [text by Julian Jason Haladyn]
DER WELTGLAUBENSTRAUM (1983) / THE DISTANT WORLD (1984)
WILL GORLITZ [text by Andy Patton]
ANTICIPATING THE EVENTUAL EMERGENCE OF FORM, PART 1 AND 2 (1983)
RENÉE VAN HALM [text by Adam Welch]
THE STATUES (1983)
ANDY PATTON [text by Mark A. Cheetham]
LEMMY IN BONDAGE (LEMMY CAUTION WAS A SCULPTOR) (1984)
OLIVER GIRLING [text by Andy Patton]
THE NORTH AMERICAN ICEBERG (1985)
CARL BEAM [text by Alexandra Nahwegahbow]
DOUBLE DUMMY (1985)
GORDON LEBREDT [text by Andy Patton]
MISSION (1986)
ROY ARDEN [text by Mark A. Cheetham]
LIKENESS TWICE OVER (1986)
DAVID CLARKSON [text by Andy Patton]
NEW CHARGES AGAINST WALDHEIM (1986)
COLETTE WHITEN [text by Shirley Madill]
STATUS (1990)
JOANNE TOD [text by Janice Gurney]
5 INTERVIEWS
INTRODUCTION
Janice Gurney
ISAAC APPLEBAUM [questions by Andy Patton]
SHEILA AYEARST [questions by Janice Gurney and Andy Patton]
DAVID CLARKSON [questions by Andy Patton]
OLIVER GIRLING [questions by Andy Patton and Janice Gurney]
WILL GORLITZ [questions by Janice Gurney and Andy Patton]
JANICE GURNEY [questions by Émilie von Garan]
ANDRE JODOIN [questions by Janice Gurney and Julian Jason Haladyn]
ANDY PATTON [questions by Maxwell Hyett]
ARLENE STAMP [questions by Janice Gurney]
JOANNE TOD [questions by Andy Patton and Janice Gurney]
RENÉE VAN HALM [questions by Janice Gurney and Andy Patton]
6 ON BEING APPROPRIATED
INTRODUCTION
Janice Gurney
ANDRE JODOIN: FIG. 1
ARLENE STAMP: FILTER
JOANNE TOD: SEARCHING BLACK MINERS FOR HIDDEN DIAMONDS
ANDY PATTON: SEARCHING BLACK MINERS FOR HIDDEN DIAMONDS
DAVID CLARKSON: SEARCHING BLACK MINERS FOR HIDDEN DIAMONDS
WILL GORLITZ: 1001 DETAILS FROM GENRE
SHEILA AYEARST: THE SURFACE OF BEHAVIOUR
OLIVER GIRLING AND SHIRLEY WIITASALO: INTERVIEW
GREG CURNOE: THE LAST TASMANIANS/BADGER, MANITOBA
ROB FLACK: MEANINGFUL WORK
7 ADDITIONAL RESEARCH
INTRODUCTION
J.J. Haladyn
JACK CHAMBERS’ THREE PAGES IN TIME
Mark A. Cheetham
CLIVE ROBERTSON’S HOW TO EXPLAIN PICTURES TO A DEAD HARE
Janice Gurney and Julian Jason Haladyn
TRANSCRIPT [Reprints]
Judith Doyle
LATE CAPITALISM [Reprint]
Tim Guest
CARL BEAM: WHAT IS THE MEASURE OF A RULER?
Julian Jason Haladyn
NOTES ON CONTRIBUTORS
IMAGE CREDITS
ACKNOWLEDGEMENTS
INDEX
